EDOARDO SCUSSEL

CINEMATOGRAPHY

Hi, I am Edo,
an Italian cinematographer based in Berlin ..

I am truly passionate about filmmaking..

.. since a very young age. I have been working as an actor in theater and film since I was a kid, then moved to cinematography in my twienties switching the view from being in front of the lights and the lens to being behind them.

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After studying acting I got into the german film academy in Berlin ..

.. with focus on Cinematography and got to work on numerous shortfilms, commercials and documentaries as a gaffer, camera assistant, camera operator and director of photography. 

Selection of my work as a DoP

No good place to end

2021 Medium Lenght Film,
DoP. Director: Jozefien Van der Aelst

Monte Kali

2022, Feature film, DoP, Director: Jozefien Van der Aelst

Akzidens

2022, Feature Film, DoP, Director: Samuel C. Puccini

Jenseits des Waldes

Music video production in New York and Houston.
/MUSIC VIDEO

Graziano´s Atlas

2020, Documentary, DoP. Director: Jozefien Van der Aelst

Day Ripper

2020, Bee bee sea (Motion, music. DoP. Director: A. Elia

Selection of my work

No good place to end

2021 Medium Lenght Film,
DoP. Director: Jozefien Van der Aelst

Monte Kali

2022, Feature film, DoP, Director: Jozefien Van der Aelst

Akzidens

2022, Feature Film, DoP, Director: Samuel C. Puccini

Jenseits des Waldes

Music video production in New York and Houston.
/MUSIC VIDEO

Graziano´s Atlas

2020, Documentary, DoP. Director: Jozefien Van der Aelst

Day Ripper

2020, Bee bee sea (Motion, music. DoP. Director: A. Elia

No good place to end

2021, Medium Lenght Film, DoP. Director: Jozefien Van der Aelst

These experiences led me to improve my technical knowledge and gave strenght to my creative process..

.. I believe my background as an actor helps me understand better my work when i am holding a camera, enhancing the performance of an acor and helping my directors to find their voice.

Cinematography
and Camera Department

2023

2023 “Noir Liquide” (feature film, post prod. DoP, Director: Jozefien Van der Aelst)

2023 “The land beyond the Trees” (Feature film. post-prod. DoP, Director: Maximilian Kern)

 

2022

2022 “Il compleanno di Enrico (Feature Film, Gaffer, Director: Francesco Sossai)

2022 “Akzidens” (Feature Film, DoP, Director: Samuel C. Puccini)

2022 “Ellbogen” (Feature film. Gaffer, Director: Asli Özarslan)

2022 “Monte Kali” (Feature film, DoP, Director: Jozefien Van der Aelst)

2022 ”Valerish” (Documentary, Director: Nicola Fegg, Additional Photography)

 

2021

2021 “Don’t skip” (Commercial, DoP)

2021 “Nah.Sh Leben ohne Nahverkehr” (Commercial, Gaffer)

2021 “Arthur e Diana” (Feature film, Gaffer)

2021 “Heterotopie” (Theater/Feature Project, DoP)

2021 “Comedy central” (Live Television, Cam. Operator)

2021 “Ann Demeulemeester Campaign” (Commercial, Gaffer)

2021 “Marks and spencer for Zalando” (Commercial, Gaffer)

2021 “No good place to end” (Medium Lenght Film, DoP. Director: Jozefien Van der Aelst)

2021 “On Ice” (Medium lenght film, B- Unit DoP. Director: Kirsten merklin)

 

2020

2020 “Wasp season” (Shortfilm, DoP. Director: Salma Salem).

2020 “R is not 0” (Shortfilm, DoP. Director: Jozefien van der Aelst).

2020 „Non ci resta che la magia” (Documentary. DoP. Director: A. Elia).

2020 „Day Ripper” Bee bee sea (Motion, music. DoP. Director: A. Elia).

2020 “Graziano´s Atlas“ (Documentary, DoP. Director: Jozefien Van der Aelst).

2020 „I can’t hear you“ (Motion. Narrative. DoP and Director)

 

2019

2019 “Adidas Runners” (Motion. Commercial. Best boy, Regie: Philipp Groth)

2019 “N26” (Commercial. Gaffer. Director/Concept: Jacob Klein)

2019 “Spotify Paardiologie” (Commercial, Gaffer. Cinematographer: Christopher Behrmann, Director/Concept: Kate Bellm)

2019 “Spotify x Faber” (Music short, Gaffer. Cinematographer: Christopher Behrmann. Director: Bastian Christ)

2019 “Ulala” (Music short feat. Eunique and Mike Singer. Gaffer, Cinematographer: Pat Aldinger, Director: Robert Wunsch).

2019 “Rifùfù” (Short-Fiction, Screenwriter and Director).

2019 “Aufenthalt” (Short- Fiction, Cinematographer, Director: Selma von Polheim Gravesen).

2019 “Little Joe” (Feature Film, Light technician .Director: Jessica Hausner, Cinematographer: Martin Gschlacht).

2019 „New Ecologies“ (Documentary. Cinematographer. Director: Jozefien van der Aelst).

 

2018

2018 “Mama“ by Phela (Music short, Keygrip. Cinematographer: Konstantin Minnich).

2018 “Lancome“ by Production Berlin (Commercial. Kamera Operator).

2018 “Gucci GQ X R. Harris” (Commercial. 2AC, Cinematographer: Aaron Reid, Director: Janizca Bravo).

2018 “Bundeswettbewerbe 2019”(Commercial. Stills. Gaffer, Cinematographer: P. Jester).

2018 “I want to return, return, return” (Feature. Gaffer, Cinematographer: G. Schelhas, Director: E. Rosengren). Cannes Film Festival- 2020 Cinefondation 3rd Preis.

2018 “Die Giraffe” (Feature, Komplizen film. 1 AC (Pre-shoot), Cinematographer: J. L. Ziegel, Director: A. S. Hartmann).

2018 “Crystal Beth” (Short- Feature. RBB, Keygrip. Cinematographer: K. Minnich, Director: E. Gehring).

2018 “Marcell von Berlin” (Commercial. Gaffer, Cinematographer: P. Garazki)

2018 “Verivox” (Commercial. Gaffer, Cinematographer: P. Garazki)

2018 “Medion” (Commercial. Gaffer, Cinematographer: P. Garazki)

2018 „Der Tag X“ (Short-fiction RBB. Gaffer, Cinematographer: G.Schelhas, Director: K. Rivilis). Cambridge Film festival.

2018 „LiebesKind“ (Commercial-1AC, Cinematographer: T. Guerkovich, Director: L. Khasin).

 

2017

2017 „Berlin, I love you“ (Feature Film-Assistant Key grip. Cinematographer: Kolja Brandt, Director: J. Franklin).

2017 „Kidnapping Stella“ (Feature film. Best boy, Cinematographer: S. Mende, Director: T. Sieben).

2017 „Mima“ (short- fiction. Cinematographer. Director: S. Djuric).

2017 „Mixed Feelings“ (Short-fiction. Cinematographer, Director: F. Sossai).

2017 „Ich war zuhause, aber..“ (Feature film. Key grip, Cinematographer: I. Markovic, Director: A. Schanelec). Silver Bear Berlinale 2019.

2017 „Stupid Face“ (Music short. Cinematographer. Director: A. Elia).

2017 „Alienize“ (Web series. Key grip, Cinematographer: Antonia Lange, Director: H. Wagner).

2017 „Siemens“ (Commercial. Gaffer, Cinematographer: C. Campbell).

2017 „Din -Akademie“ (Commercial. Gaffer, Cinematographer: C. Lang).

2017 „Lieferheld“ (Commercial. Key grip, Cinematographer: P. Kaminiak).

2017 „Shuffle media“ (Short-fiction. 1 AC, Cinematographer: D. Miller).

2017 „Die vermisste“ (Short-fiction. 1AC, Cinematographer: N. Medvecka, Director: F.Frisardi).

2017 „Jews are leaving earth“ (Short-fiction. 1AC, Cinematographer: D. Backhaus. Director: M. Bern).

2017 „Nivea“ (Commercial. Key grip, Cinematographer: M. Krause).

2017 „Adac“ (Commercial. Key grip, Cinematographer: Jan D. Günther).

2017 „True Colors“ (Web Series. 1AC, Key grip, Cinematographer: A. Pakozdi).

 

2016

2016 “Camelot broadcast service Gmbh” (Licht, Grip, Kamera Dep.).

2016 „Maxdome“ (Commercial. Gaffer, Cinematographer: Jo Heim).

2016 „Gymondo“ (Commercial. Gaffer, Cinematographer: J. Seeman).

2016 “Surfaces“ (Short-fiction. Key grip, Cinematographer: G. Schelhas, Regie; F. Sossai).

2016 “Aufenthalt” (Short-fiction. Key grip, Cinematographer: M. Klein, Director: J. Milz).

2016 “DKB“ (Commercial. Assistant key grip, Cinematographer: S. Mende).

2016 “Arrival“ (Documentary. Director, Cinematographer, Editor).

 

2015

2015 “In là Ota se zia a pè” (Documentary. Director, Cinematographer, Editor).

2015 “Marie räumt auf” (Feature Film. Key Grip Assistant, Cinematographer: J. Marsik, Director: S. Grobler).

2015 “Garnier” (Commercial. Key grip, Cinematographer: P. Rheinhold).

2015  McDonald“ (Commercial. Key grip assistant, Cinematographer: J. Prahl).

2015  Volkswagen“ (Commercial. Key grip assistent, Cinematographer: D. Gottschalk).

2015 “Sonnenfinsternis” (Short-fiction. Key Grip/Gaffer. Cinematographer: G. Schelhas).

2015 “Letzer Akt” (Short-fiction. Key grip, Cinematographer: G. Schelhas).

2015 “Light and Camera Rental Department” Cinegate Gmbh.

 

2014

2014 “Get flappy” (Music Video. Light technician, Cinematographer: N. Mehring).

2014 “Interscience-Zeugen des Jahrhunderts” (TV Show. Light Technician, Cinematographer: S.J. Engelmann).

2014 “Germans and Jews” (Documentary. 1AC, Cinematographer: A. Zackem. Director: J. Quint).

2023 “Noir Liquide” (feature film, post prod. DoP, Director: Jozefien Van der Aelst)

2023 “The land beyond the Trees” (Feature film. post-prod. DoP, Director: Maximilian Kern)

2022 “Il compleanno di Enrico (Feature Film, Gaffer, Director: Francesco Sossai)

2022 “Akzidens” (Feature Film, DoP, Director: Samuel C. Puccini)

2022 “Ellbogen” (Feature film. Gaffer, Director: Asli Özarslan)

2022 “Monte Kali” (Feature film, DoP, Director: Jozefien Van der Aelst)

2022 ”Valerish” (Documentary, Director: Nicola Fegg, Additional Photography)

2021 “Don’t skip” (Commercial, DoP)

2021 “Nah.Sh Leben ohne Nahverkehr” (Commercial, Gaffer)

2021 “Arthur e Diana” (Feature film, Gaffer)

2021 “Heterotopie” (Theater/Feature Project, DoP)

2021 “Comedy central” (Live Television, Cam. Operator)

2021 “Ann Demeulemeester Campaign” (Commercial, Gaffer)

2021 “Marks and spencer for Zalando” (Commercial, Gaffer)

2021 “No good place to end” (Medium Lenght Film, DoP. Director: Jozefien Van der Aelst)

2021 “On Ice” (Medium lenght film, B- Unit DoP. Director: Kirsten merklin)

2020 “Wasp season” (Shortfilm, DoP. Director: Salma Salem).

2020 “R is not 0” (Shortfilm, DoP. Director: Jozefien van der Aelst).

2020 „Non ci resta che la magia” (Documentary. DoP. Director: A. Elia).

2020 „Day Ripper” Bee bee sea (Motion, music. DoP. Director: A. Elia).

2020 “Graziano´s Atlas“ (Documentary, DoP. Director: Jozefien Van der Aelst).

2020 „I can’t hear you“ (Motion. Narrative. DoP and Director)

2019 “Adidas Runners” (Motion. Commercial. Best boy, Regie: Philipp Groth)

2019 “N26” (Commercial. Gaffer. Director/Concept: Jacob Klein)

2019 “Spotify Paardiologie” (Commercial, Gaffer. Cinematographer: Christopher Behrmann, Director/Concept: Kate Bellm)

2019 “Spotify x Faber” (Music short, Gaffer. Cinematographer: Christopher Behrmann. Director: Bastian Christ)

2019 “Ulala” (Music short feat. Eunique and Mike Singer. Gaffer, Cinematographer: Pat Aldinger, Director: Robert Wunsch).

2019 “Rifùfù” (Short-Fiction, Screenwriter and Director).

2019 “Aufenthalt” (Short- Fiction, Cinematographer, Director: Selma von Polheim Gravesen).

2019 “Little Joe” (Feature Film, Light technician .Director: Jessica Hausner, Cinematographer: Martin Gschlacht).

2019 „New Ecologies“ (Documentary. Cinematographer. Director: Jozefien van der Aelst).

2018 “Mama“ by Phela (Music short, Keygrip. Cinematographer: Konstantin Minnich).

2018 “Lancome“ by Production Berlin (Commercial. Kamera Operator).

2018 “Gucci GQ X R. Harris” (Commercial. 2AC, Cinematographer: Aaron Reid, Director: Janizca Bravo).

2018 “Bundeswettbewerbe 2019”(Commercial. Stills. Gaffer, Cinematographer: P. Jester).

2018 “I want to return, return, return” (Feature. Gaffer, Cinematographer: G. Schelhas, Director: E. Rosengren). Cannes Film Festival- 2020 Cinefondation 3rd Preis.

2018 “Die Giraffe” (Feature, Komplizen film. 1 AC (Pre-shoot), Cinematographer: J. L. Ziegel, Director: A. S. Hartmann).

2018 “Crystal Beth” (Short- Feature. RBB, Keygrip. Cinematographer: K. Minnich, Director: E. Gehring).

2018 “Marcell von Berlin” (Commercial. Gaffer, Cinematographer: P. Garazki)

2018 “Verivox” (Commercial. Gaffer, Cinematographer: P. Garazki)

2018 “Medion” (Commercial. Gaffer, Cinematographer: P. Garazki)

2018 „Der Tag X“ (Short-fiction RBB. Gaffer, Cinematographer: G.Schelhas, Director: K. Rivilis). Cambridge Film festival.

2018 „LiebesKind“ (Commercial-1AC, Cinematographer: T. Guerkovich, Director: L. Khasin).

2017 „Berlin, I love you“ (Feature Film-Assistant Key grip. Cinematographer: Kolja Brandt, Director: J. Franklin).

2017 „Kidnapping Stella“ (Feature film. Best boy, Cinematographer: S. Mende, Director: T. Sieben).

2017 „Mima“ (short- fiction. Cinematographer. Director: S. Djuric).

2017 „Mixed Feelings“ (Short-fiction. Cinematographer, Director: F. Sossai).

2017 „Ich war zuhause, aber..“ (Feature film. Key grip, Cinematographer: I. Markovic, Director: A. Schanelec). Silver Bear Berlinale 2019.

2017 „Stupid Face“ (Music short. Cinematographer. Director: A. Elia).

2017 „Alienize“ (Web series. Key grip, Cinematographer: Antonia Lange, Director: H. Wagner).

2017 „Siemens“ (Commercial. Gaffer, Cinematographer: C. Campbell).

2017 „Din -Akademie“ (Commercial. Gaffer, Cinematographer: C. Lang).

2017 „Lieferheld“ (Commercial. Key grip, Cinematographer: P. Kaminiak).

2017 „Shuffle media“ (Short-fiction. 1 AC, Cinematographer: D. Miller).

2017 „Die vermisste“ (Short-fiction. 1AC, Cinematographer: N. Medvecka, Director: F.Frisardi).

2017 „Jews are leaving earth“ (Short-fiction. 1AC, Cinematographer: D. Backhaus. Director: M. Bern).

2017 „Nivea“ (Commercial. Key grip, Cinematographer: M. Krause).

2017 „Adac“ (Commercial. Key grip, Cinematographer: Jan D. Günther).

2017 „True Colors“ (Web Series. 1AC, Key grip, Cinematographer: A. Pakozdi).

2016 “Camelot broadcast service Gmbh” (Licht, Grip, Kamera Dep.).

2016 „Maxdome“ (Commercial. Gaffer, Cinematographer: Jo Heim).

2016 „Gymondo“ (Commercial. Gaffer, Cinematographer: J. Seeman).

2016 “Surfaces“ (Short-fiction. Key grip, Cinematographer: G. Schelhas, Regie; F. Sossai).

2016 “Aufenthalt” (Short-fiction. Key grip, Cinematographer: M. Klein, Director: J. Milz).

2016 “DKB“ (Commercial. Assistant key grip, Cinematographer: S. Mende).

2016 “Arrival“ (Documentary. Director, Cinematographer, Editor).

2015 “In là Ota se zia a pè” (Documentary. Director, Cinematographer, Editor).

2015 “Marie räumt auf” (Feature Film. Key Grip Assistant, Cinematographer: J. Marsik, Director: S. Grobler).

2015 “Garnier” (Commercial. Key grip, Cinematographer: P. Rheinhold).

2015  McDonald“ (Commercial. Key grip assistant, Cinematographer: J. Prahl).

2015  Volkswagen“ (Commercial. Key grip assistent, Cinematographer: D. Gottschalk).

2015 “Sonnenfinsternis” (Short-fiction. Key Grip/Gaffer. Cinematographer: G. Schelhas).

2015 “Letzer Akt” (Short-fiction. Key grip, Cinematographer: G. Schelhas).

2015 “Light and Camera Rental Department” Cinegate Gmbh.

2014 “Get flappy” (Music Video. Light technician, Cinematographer: N. Mehring).

2014 “Interscience-Zeugen des Jahrhunderts” (TV Show. Light Technician, Cinematographer: S.J. Engelmann).

2014 “Germans and Jews” (Documentary. 1AC, Cinematographer: A. Zackem. Director: J. Quint).

Cinematography studies

2021-2022 DFFB Master Studies, Cinematography 4. Year

Liebeszene, Seminar with Isabelle Stever

Dramaturgie der Emotionen, Seminar with Petra Lüschow

Cinematography work, Seminar with Hans Fromm

“Walk through the forest of emotions” Seminar with Franz Rodenkirchen

“Film or Dynamit” Seminar with Fred Kelemen

2020-2021 DFFB Master Studies, Cinematography 3. Year

Original Motiv (Dozent: Jenny Lou Ziegel)

Digital Cinematographie 3 (Dozent: Dirk Maier BVK, Birgit Guðjónsdóttir BVK)

Kammerspiel Seminar (Dozenten: Nicolas Wackerbarth, Annette Drees)

Digital Cinematography 2 (Dozenten: Dirk Maier BVK, Stefan Ciupek BVK).

Storyboard Seminar (Dozent: Max Julian Otto).

Digital Cinematography 1 (Dozent: Dirk Maier BVK).

Studio Lighting Seminar (16mm Studio Lighting Seminar, Dozent: Michael Bertl BVK).

Storyboard and Blocking Seminar (Dozenten: Maria Teresa Camoglio, Michael Bertl BVK).

Cinematography 3. Light Seminar (35mm, Dozent: Andreas Köfer BVK).

2019-2020 DFFB, Cinematography 2. Year

Screenplay Seminar (Dozent: Reka Kincses). 

Cinematography 2. Light Seminar (16mm, Dozenten: Isabelle Casez, Ralph Netzer, Henner Besuch).

Original Sounds Seminar (Dozenten: Pascal Capitolin, Patrick Veigel, Caroline Siegers, Ulla Kösterke)

Documentary film Seminar (Dozent: Chris Wright)

Stummfilm Seminar (Drehbuch Seminar, Dozenten: Ellis Freeman, Christoph Hochhäusler)

Cinematography 1. Light Seminar (16mm, Light Seminar, Dozenten: Börres Weiffenbach, Frank Aman, Henner Besuch)

Regie Seminar, “Was man sehen kann” (Dozent: Christoph Hochhäusler).

2018-2019 German Film and Television Academy, Cinematography 1. Year

Camera Systems Technical knowledge

2021-2022 DFFB Master Studies, Cinematography 4. Year

Liebeszene, Seminar with Isabelle Stever

Dramaturgie der Emotionen, Seminar with Petra Lüschow

Cinematography work, Seminar with Hans Fromm

“Walk through the forest of emotions” Seminar with Franz Rodenkirchen

“Film or Dynamit” Seminar with Fred Kelemen

2020-2021 DFFB Master Studies, Cinematography 3. Year

Original Motiv (Dozent: Jenny Lou Ziegel)

Digital Cinematographie 3 (Dozent: Dirk Maier BVK, Birgit Guðjónsdóttir BVK)

Kammerspiel Seminar (Dozenten: Nicolas Wackerbarth, Annette Drees)

Digital Cinematography 2 (Dozenten: Dirk Maier BVK, Stefan Ciupek BVK).

Storyboard Seminar (Dozent: Max Julian Otto).

Digital Cinematography 1 (Dozent: Dirk Maier BVK).

Studio Lighting Seminar (16mm Studio Lighting Seminar, Dozent: Michael Bertl BVK).

Storyboard and Blocking Seminar (Dozenten: Maria Teresa Camoglio, Michael Bertl BVK).

Cinematography 3. Light Seminar (35mm, Dozent: Andreas Köfer BVK).

2019-2020 DFFB, Cinematography 2. Year

Screenplay Seminar (Dozent: Reka Kincses). 

Cinematography 2. Light Seminar (16mm, Dozenten: Isabelle Casez, Ralph Netzer, Henner Besuch).

Original Sounds Seminar (Dozenten: Pascal Capitolin, Patrick Veigel, Caroline Siegers, Ulla Kösterke)

Documentary film Seminar (Dozent: Chris Wright)

Stummfilm Seminar (Drehbuch Seminar, Dozenten: Ellis Freeman, Christoph Hochhäusler)

Cinematography 1. Light Seminar (16mm, Light Seminar, Dozenten: Börres Weiffenbach, Frank Aman, Henner Besuch)

Regie Seminar, “Was man sehen kann” (Dozent: Christoph Hochhäusler).

2018-2019 German Film and Television Academy, Cinematography 1. Year

Being in touch with the feelings and the emotions that the actors are expressing..

.. I can give strenght to their performance and help the story to be told fullfilling the vision of the author I am working with.